How Perfect, How Precise, How Pleasing

I pictured her sitting at an antique coffee table in a white wooden table chair with green fairies painted on it, sipping on some green tea with her messy red hair trailing down her pale white cheeks as she scribbled some gloriously dramatic lyrics onto a bar napkin she stuffed in her purse after leaving dinner the night before. This is what I have envisioned Florence Welch has been doing for the past four years or so. Maybe I’m right, maybe I’m wrong…who knows?

Photo via bing.com
Photo via bing.com

Florence + the Machine announced this week that they are back!! Oh my goodness I have been waiting FOREVER for this moment. Being a huge F+TM fan myself, I am so so excited for this new album. How Big, How Blue, How Beautiful will be the third album from this eclectic bunch. They also released the music video for the first single called “What Kind of Man” and it is phenomenal. Reminiscent of “Kiss With A Fist” due to the feisty angst in Florence’s voice, but with age comes a fuller vocal range and a greater sense of musicality. Not to mention a highly artistic point of view as we see in the music video.

This video begins by showcasing a casual yet powerful conversation that takes place between a couple. The man tells the woman that she was having a nightmare and she gets angry that he didn’t wake her up, “I didn’t want to intervene. It seemed like you were suffering somewhere else. I didn’t think it was my place to drag you out of it so I just let you be,” he said. She replies with, “So you just let me suffer? So you think that people who suffer together would be more connected than people who are content?” He agrees and says, “I do.” I think this is often a question we don’t think about, but it’s interesting when you do take the time to think about it.

The song seems to about a long term relationship and the lack of commitment throughout it; “And with one kiss/ you inspired a fire of devotion/ that lasted twenty years.” But also the intoxicating element that comes with love, sparks a lot of the inspiration behind the song; “I already had a sip/ so I’d reasoned I was drunk enough to deal with it.” A theme we often hear about, but Florence makes it more dramatic when she sings the words, “What kind of man loves like this?” Almost posing the question, “How could a human being actually love like this?”

Miss Florence spreading her fairy wings so fans can soak up her glittery glow. photo via bing.com
Miss Florence spreading her fairy wings so fans can soak up her glittery glow.
photo via bing.com

I’m surprised by this electrifying intro to this new album cycle for Florence & the Machine, but I’m also not because everything this band does is never half-assed (for lack of a better phrase). The music is always top notch quality with stellar lyrics that you want tattooed on your entire being for the world to see. I hear more guitar-driven rock, a beautiful horn line, hard lyrics, and spunky tambourine on this track which transcends perfectly into where music is heading these days. The music scene seems to be going back to the basics, focusing more on the different elements of music. No more crap. How Big, How Blue, How Beautiful has to be good. It just has to. The worst part? We have to wait until June 2….

-Abbey

Worth Your “Time”

mikky ekko
image via bing.com

Mikky Ekko’s debut album Time is indeed a long time coming. This is surprisingly his first full-length album and now I know why it took so long; it’s superb. Ekko combines elements of mainstream pop, poetic lyrics, and his incredible vocal range to pull on every heart string in your body. And he knows it.

Ekko’s voice reminds me of Ryan Tedder (lead singer of One Republic). His effortless falsetto, raw emotion, and lyrical power are elements both these men possess. Time is what I would imagine a Ryan Tedder solo album would sound like. Which I hope NEVER happens, because One Republic is absolute dynamite and I wouldn’t have it any other way. Ekko’s voice is just as technically beautiful as Tedder’s but with a more sensual edge.

image via bing.com
image via bing.com

Time opens the flood gates of everything you’ve ever felt in your life. Songs like “Comatose” are so powerful. Ekko describes it as, “Trying to find your way back to a moment. ‘Comatose’ is about chasing the reflection, chasing the memory, being in the dream of the coma and trying to find your way back to the light.” The song features dream-like piano chords and Ekko’s voice quietly floating over the music. Once you hear this song, you won’t forget it.

-Even better live, ohhhh myyyy lordddddd.

“Pull Me Down” is another track off this album that is powerful and eclectic. It sounds like something an alternative band would produce, but has several R&B elements to it, which is something Ekko is passionate about. The lyrics tell a story of a mutual love between two people. It’s passionate and beautiful; “Pull me down if you want to/ and I hope that you want to/ cause I want to be your man/ and I wanna say it loud.”

“U” is another song off the album that pulls on the more sultrier R&B side of Ekko. It mixes bits of electronic sounds, handclaps, and a reoccurring backbeat. This track delivers pure LOVE. These are lyrics you want your husband/wife to sing to you one day; “You’re the only one I live for, try for, weep for, die for, you know I’d give it all for.”

Songs like, “Made of Light”, “Love You Crazy”, and “Smile” have a more uplifting vibe to them. All have incredible rhythm patterns and leave a hook stuck in your head. Ekko’s singing style borderlines soft rap sometimes (especially in “Love You Crazy”) and is so interesting to listen to. Not many artists are as tapped into the flow of a song as he is.

On his website, Ekko describes Time as, “Pretty eclectic sonically, but lyrically there are moments of love and angst and things that many people deal with on a daily basis. I’m just trying to be honest about all of that stuff…People just want to feel something real.” I couldn’t have said it better myself. When you mix purely produced lyrics with unforgettable rhythms and hooks, you have found the key to the music kingdom. My point is, albums that are this flawless start to finish deserve all the success in the world. I will be BUYING this album.

-Abbey

Fifty Shades of YES!

No, I haven’t read the books. No, I probably won’t. So don’t ask me. But…. THE FIFTY SHADES OF GREY SOUNDTRACK IS COMING OUT.

You guys, this is going to be the most EPIC soundtrack. It’s going to be released on Feb. 10th and the hype is unreal. I love soundtracks so much, especially when they are so beautifully done, like I assume this one is. The track listing has finally been released on iTunes and I have been obsessing over it ever since.

If you’re up to date, you’ve probably already heard the exquisite song “Earned It” by The Weeknd. This song could not be more divine if it had to be. A beautiful orchestra accompanies the subtle sensual vocals of singer Abel Tesfaye as he croons, “cause girl you’re perfect/ you’re always worth it/ and you deserve it/ the way you work it.” Tesfaye recently stated in a behind the scenes video for “Earned It” that his music and Fifty Shades of Grey are a “match made in heaven.” He also said, “If you listen to my album, even the past work I’ve done, it’s very Fifty Shades of Grey” which could be why he not only has one song on the soundtrack but two; the second is titled “Where You Belong”. Not to mention, Tesfaye’s falsetto literally could make any grown woman melt into a warm puddle. The music video for “Earned It” was just released and if you’re mentally prepared you can watch it below:

Another artist who was granted more than one song on the album…BEYONCE. Duh.

She lends her vocal prowess to her own songs, including a new remix of “Haunted” from her self titled album Beyoncé. “Haunted” happens to be one of my favorites off the Beyoncé, because of its diverse electronic sound mixed with heavy bass and monotonic vocals dealing with the pressures of life and later shifting into a fast paced fantasy. As usual, “Haunted” also has a strong amount of sex appeal; “You want me?/ I walk down the hallway/ You’re lucky/ The bedroom’s my runway/ Slap me/ I’m pinned to the doorway…” you get the point. This song werkkkkks.

Beyoncé also brings one of her classics back to life. That’s right, they are calling it “Crazy In Love” (the 2014 remix). If you’ve seen the trailer for Fifty Shades, you’ve probably already drooled over how flawless this song sounds (pun intended). Beyoncé slows down the song and brings a more romantic feel with muffled vocals and what sounds to be like a full orchestra accentuating every half whispered note escaping her lips. Here’s the trailer featuring the song, if you haven’t already seen it:

Sia makes an appearance on this album singing a song called “Salted Wound” which I can only predict is probably emotional perfection to the ears and I absolutely can’t wait to hear it.

Ellie Goulding comes back with her fairy-like vocals spreading the message of “Love Me Like You Do” in a powerful pop ballad with truly stunning lyrics. The video (released today) has footage from the movie and also shows Goulding with her usual gorgeous blonde waves caressing the camera with every angle. Check it out:

This album not only dabbles into a recent musical trough of artists, but revisits the past with classics like, “Beast of Burden” by The Rolling Stones, “I Put A Spell On You” covered by Annie Lennox, and “Witchcraft” by the incomparable Frank Sinatra. These songs will give the album a more wholesome feel, proving love songs can de diverse whilst still making a cinematic impact in the year of 2015. Being a Sinatra fan my whole life, I can only imagine where “Witchcraft” will fit into this movie (insert excited heart eyes emoji here). And “Beast of Burden” is probably one of the sexiest songs of the late 70’s. With lyrics like, “I’ll never be your beast of burden/ So let’s go home and draw the curtains/ Music on the radio/ Come on baby make sweet love to me.” I think it’ll fit in just fine…

Other songs feature the sweet Jessie Ware, powerful AWOLNATION, talented Skylar Grey, newcomers Vaults, soulful Laura Welsch, and composer Danny Elfman.

February 10th, sit back and listen to this album.

-Abbey

A New Year, According to Paramore!

2015 is quickly approaching so I thought it would be fitting to provide you with some nuggets of wisdom to help you start a beautiful new year! As you know, my favorite band is Paramore and with them comes brilliant lyrics. I picked out various lyrics from all four of their albums to give you life knowledge as told from the flaming mouth of Hayley Williams.

gif from giphy.com
gif from giphy.com

“Some things I’ll never know, and I had to let them go.”

-“Pressure”, All We Know Is Falling

“And when all security fails, Will you be there to help me through.”

-“Conspiracy”, All We Know Is Falling

“I am finding out that maybe I was wrong, that I’ve fallen down and I can’t do this alone, stay with me, this is what I need, please?”

-“My Heart”, All We Know Is Falling

“Somehow, everything’s gonna fall right into place, if we only had a way to make it all fall faster every day.”

-“Hallelujah”, Riot!

“Take these chances to turn it around, yeah take these chances and make it somehow.”

-“When It Rains”, Riot!

“Somewhere weakness is our strength, and I’ll die searching for it.”

-“Let the Flames Begin”, Riot!

“Now, we’ve learned to run from anything uncomfortable, we’ve tied our pain below and no one ever has to know that inside we’re broken.”

-“Miracle”, Riot!

“When all that is waiting for you won’t come any closer, you’ve got to reach out a little more.”

-“Careful”, Brand New Eyes

“You don’t deserve a point of view if the only thing you see is you.”

-“Playing God”, Brand New Eyes

“If it’s not real you can’t hold it in your hands, you can’t feel it with your heart…but if it’s true you can see it with your eyes, even in the dark.”

-“Brick By Boring Brick”, Brand New Eyes

“See I’m trying to find my place and it might not be here where I feel safe, we all learn to make mistakes and run from them.”

-“Misguided Ghosts”, Brand New Eyes

“I could follow you to the beginning, just to relive the start, maybe then we’d remember to slow down, at all of our favorite parts.”

-“All I Wanted”, Brand New Eyes

“No one’s the same as they used to be, much as we try to pretend, no one’s as innocent as they could be, we all fall short, we all sin.”

-“Fast In My Car”, Paramore

“Some of us have to grow up sometimes, and so, if I have to I’m gonna leave you behind.”

-“Grow Up”, Paramore

“But the more I try to push it I realize, gotta let go of control.”

-“Last Hope”, Paramore

“Why you wanna please the world and leave yourself to drop dead? Someday you’re gonna be the only one you’ve got.”

-“Anklebiters”, Paramore

“For all the things you’re alive to feel, let the pain remind you hearts can heal.”

-“Hate to See Your Heart Break”, Paramore

“Just think of the future and think of your dreams, you’ll get away from here, you’ll get away eventually…don’t get lost in the memories, keep your eyes on a new prize.”

-“Future”, Paramore

gif from giphy.com
gif from giphy.com

Rock on in 2015!

I hope everyone has a wonderful holiday with loving family and friends!

XoXo,

Abbey 🙂

Thirty Seconds to Mars’ “Artifact”

Artifact
image via bing.com

“Artifact” is a documentary put out by the rock band Thirty Seconds to Mars in 2012. This documentary directed by Jared Leto himself, a.k.a. Bartholomew Cubbins, deals with the ins and outs of the music business. It shows the band’s struggle to fight for their album, their band, and their lives. Featured interviews from journalists, lawyers, artists, and music executives direct viewers into a world beyond what we see on TV, hear on the radio, or click on while scrolling through iTunes.

Within the first few minutes, lead singer Jared Leto says, “This record is about overcoming challenges” The plan for Thirty Seconds to Mars was to film the writing/recording process of their album This Is War, but after being served with a 30 million dollar lawsuit from record company EMI, the documentary quickly shifted into something much deeper. “Artifact” became exactly that. “An object (“This Is War”) made by human beings, especially with a view to subsequent use.” We see the band’s turmoil as they struggle to make their art without having any support from a record label.

One quickly learns that Jared Leto is the man behind it all. He is described by many as a mastermind, artist, and a true music titan. Leto and brother Shannon were raised by their young single mother. Jared and Shannon were spilling over the top with music and creativity throughout their lives further foreshadowing their future in music. The brotherly bond between Jared and Shannon is the most heartwarming element of this documentary. They understand and work with each other so incredibly well. Jared mentions that he wouldn’t have done any of this without his brother. Jared is a perfectionist, but for all the right reasons. He was fighting for his band, his life, and his art. Thirty Seconds to Mars had no choice, but to be great. So, that’s what they did.

Image via bing.com
Jared (left) with brother Shannon (right) Image via bing.com

Many raw emotional moments are shown in this 103 minute long story. Heated phone calls littered with angst-y f-bombs, the Leto’s meeting with the lawyer asking the big question of, “What do we do?”, we see the band creating a studio and putting in their talents day after day to make every single song stand out, and several enlightening moments where you can’t help but want to enlist yourself in the fight for them. Leto mentions in the beginning of the film, “Sometimes you have to fight in order to be free.”

The record deal process is explained in great detail by Jared in the documentary. It is somewhat depressing and expressive of our generation now, which is the digital age. Album sales are decreasing every year, which puts added pressure on record labels, which then pressures the artist. Everything starts to become a well-oiled machine and the art quickly loses its value. Creativity shouldn’t be measured in numbers and time. Thirty Seconds to Mars proves this by venturing on their own and proving that they can create this album, without anyone’s thick packet of paper filled with restrictions.

One of my favorite moments in the film is when Jared and Tomo are seen on a night hike. They are looking over the city lights and Jared says, “By the way I think I came up with a name for the album…’This Is War.'” The moment is almost too perfect. Through all the turmoil, frustration, and fighting, this band pulled through and made something they can be proud of. They prevailed.

image via bing.com
image via bing.com

If anything, “Artifact” makes me look back on This Is War with a new state of mind. It is a concept album about fighting for what you believe in and having the faith in yourself to do it. This documentary is the biggest “Fuck you” to every major record label that made artists feel like their art is worth nothing.

Those people are so wrong.

-Abbey