Worth Your “Time”

mikky ekko
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Mikky Ekko’s debut album Time is indeed a long time coming. This is surprisingly his first full-length album and now I know why it took so long; it’s superb. Ekko combines elements of mainstream pop, poetic lyrics, and his incredible vocal range to pull on every heart string in your body. And he knows it.

Ekko’s voice reminds me of Ryan Tedder (lead singer of One Republic). His effortless falsetto, raw emotion, and lyrical power are elements both these men possess. Time is what I would imagine a Ryan Tedder solo album would sound like. Which I hope NEVER happens, because One Republic is absolute dynamite and I wouldn’t have it any other way. Ekko’s voice is just as technically beautiful as Tedder’s but with a more sensual edge.

image via bing.com
image via bing.com

Time opens the flood gates of everything you’ve ever felt in your life. Songs like “Comatose” are so powerful. Ekko describes it as, “Trying to find your way back to a moment. ‘Comatose’ is about chasing the reflection, chasing the memory, being in the dream of the coma and trying to find your way back to the light.” The song features dream-like piano chords and Ekko’s voice quietly floating over the music. Once you hear this song, you won’t forget it.

-Even better live, ohhhh myyyy lordddddd.

“Pull Me Down” is another track off this album that is powerful and eclectic. It sounds like something an alternative band would produce, but has several R&B elements to it, which is something Ekko is passionate about. The lyrics tell a story of a mutual love between two people. It’s passionate and beautiful; “Pull me down if you want to/ and I hope that you want to/ cause I want to be your man/ and I wanna say it loud.”

“U” is another song off the album that pulls on the more sultrier R&B side of Ekko. It mixes bits of electronic sounds, handclaps, and a reoccurring backbeat. This track delivers pure LOVE. These are lyrics you want your husband/wife to sing to you one day; “You’re the only one I live for, try for, weep for, die for, you know I’d give it all for.”

Songs like, “Made of Light”, “Love You Crazy”, and “Smile” have a more uplifting vibe to them. All have incredible rhythm patterns and leave a hook stuck in your head. Ekko’s singing style borderlines soft rap sometimes (especially in “Love You Crazy”) and is so interesting to listen to. Not many artists are as tapped into the flow of a song as he is.

On his website, Ekko describes Time as, “Pretty eclectic sonically, but lyrically there are moments of love and angst and things that many people deal with on a daily basis. I’m just trying to be honest about all of that stuff…People just want to feel something real.” I couldn’t have said it better myself. When you mix purely produced lyrics with unforgettable rhythms and hooks, you have found the key to the music kingdom. My point is, albums that are this flawless start to finish deserve all the success in the world. I will be BUYING this album.

-Abbey

Thirty Seconds to Mars’ “Artifact”

Artifact
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“Artifact” is a documentary put out by the rock band Thirty Seconds to Mars in 2012. This documentary directed by Jared Leto himself, a.k.a. Bartholomew Cubbins, deals with the ins and outs of the music business. It shows the band’s struggle to fight for their album, their band, and their lives. Featured interviews from journalists, lawyers, artists, and music executives direct viewers into a world beyond what we see on TV, hear on the radio, or click on while scrolling through iTunes.

Within the first few minutes, lead singer Jared Leto says, “This record is about overcoming challenges” The plan for Thirty Seconds to Mars was to film the writing/recording process of their album This Is War, but after being served with a 30 million dollar lawsuit from record company EMI, the documentary quickly shifted into something much deeper. “Artifact” became exactly that. “An object (“This Is War”) made by human beings, especially with a view to subsequent use.” We see the band’s turmoil as they struggle to make their art without having any support from a record label.

One quickly learns that Jared Leto is the man behind it all. He is described by many as a mastermind, artist, and a true music titan. Leto and brother Shannon were raised by their young single mother. Jared and Shannon were spilling over the top with music and creativity throughout their lives further foreshadowing their future in music. The brotherly bond between Jared and Shannon is the most heartwarming element of this documentary. They understand and work with each other so incredibly well. Jared mentions that he wouldn’t have done any of this without his brother. Jared is a perfectionist, but for all the right reasons. He was fighting for his band, his life, and his art. Thirty Seconds to Mars had no choice, but to be great. So, that’s what they did.

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Jared (left) with brother Shannon (right) Image via bing.com

Many raw emotional moments are shown in this 103 minute long story. Heated phone calls littered with angst-y f-bombs, the Leto’s meeting with the lawyer asking the big question of, “What do we do?”, we see the band creating a studio and putting in their talents day after day to make every single song stand out, and several enlightening moments where you can’t help but want to enlist yourself in the fight for them. Leto mentions in the beginning of the film, “Sometimes you have to fight in order to be free.”

The record deal process is explained in great detail by Jared in the documentary. It is somewhat depressing and expressive of our generation now, which is the digital age. Album sales are decreasing every year, which puts added pressure on record labels, which then pressures the artist. Everything starts to become a well-oiled machine and the art quickly loses its value. Creativity shouldn’t be measured in numbers and time. Thirty Seconds to Mars proves this by venturing on their own and proving that they can create this album, without anyone’s thick packet of paper filled with restrictions.

One of my favorite moments in the film is when Jared and Tomo are seen on a night hike. They are looking over the city lights and Jared says, “By the way I think I came up with a name for the album…’This Is War.'” The moment is almost too perfect. Through all the turmoil, frustration, and fighting, this band pulled through and made something they can be proud of. They prevailed.

image via bing.com
image via bing.com

If anything, “Artifact” makes me look back on This Is War with a new state of mind. It is a concept album about fighting for what you believe in and having the faith in yourself to do it. This documentary is the biggest “Fuck you” to every major record label that made artists feel like their art is worth nothing.

Those people are so wrong.

-Abbey

Praise the Lorde

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Ever since the announcement that Lorde will be compiling The Hunger Games: Mockingjay Part 1 soundtrack, I knew it would be magic. Lorde’s keen ear for dark themes, visual appeal, and genius lyrics will lead Hunger Games fans into a full blown frenzy.

“I’m a princess cut from marble, smoother than a storm,” are the first words from her single titled “Yellow Flicker Beat.” The song serves as a powerful homage to the start of a revolution (as we see in The Hunger Games.) Mixing dramatic synths and Lorde’s classic unique vocals, this song is pure fire. The music video shows Lorde in several places; a retro motel room, a dark foggy street, sitting by a dimly lit pool, and surrounded by a glamorous crowd in a black room. Not to mention the video gives fans a full serving of Lorde’s weird yet always captivating dancing as she bops her loose curls to every beat.

Lorde

Lorde recently told Rolling Stone that Kanye West reworked this single with her. Kanye freaking West. The song is called “Flicker” on the album and I’m sure it’s going to be massive.

KW

Another single off this soundtrack is “This Is Not A Game,” by The Chemical Brothers featuring vocals by Miguel and three quick words from Lorde: “There It Is.” This song is unlike anything I’ve ever heard. Miguel’s sexy raspy voice glides effortlessly over the hip-hop beats, electronic synths, and spaceship beeps. The theme of revolution comes appears again as Miguel sings “you talk about a revolution,” then Lorde says “there it is.” This song is so dope, I am actually really angry that more people don’t know about it yet.  The contrast between Miguel’s dreamy voice and the hard electronics in this song make it so incredibly unique.

Lorde is the absolute best person to give this project to. Her creativity with music is something young fans of The Hunger Games and of Lorde herself, will appreciate. The soundtrack is expected to be released Nov. 17. You can bet I’ll be listening.

-Abbey

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Taylor On Top

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Want to know what pop domination looks like right now? Then you should be reading from Taylor Swift’s book, or maybe looking at her saturated personal Polaroids that litter every new album booklet representing her latest creative endeavor into the royal doors of the pop kingdom. The internet blew up last Sunday night/Monday morning with celebrity reactions, lists of favorite songs, and positivity towards Swift’s fourth album, titled “1989.”

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Debuting at number one on the Top Albums chart on iTunes, this album flew up every list, not to mention six out of the top ten songs on iTunes also belonged to Ms. Swift.

“1989” seems to be home for Swift. She seems to be more in her element, even though this album is something completely different from anything you’ve ever heard from her. Pop beats are sprinkled on every track, along with late 80’s esque synths, drum beats, and  trance-like vocals. “1989” is a pop dream dipped in emotions, honest lyrics, and a couple ex-boyfriends…[some things never change.]

Songs like: “Bad Blood” [supposedly about her beef with pop competition Katy Perry] “All You Had To Do Was Stay,” and “Out of the Woods” [possibly about Harry Styles] focus heavily on a constant drum beat and repetitive choruses that hook your ears from the first listen. Swift has an extreme talent for making songs what I call “radio ready,” you hear it a million times and you’re still going to sing every word while sitting in your car.

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The closing track “Clean” features dream-like vocals, twinkling pop sounds, and a slower side of Swift providing raw lyrics: “and the butterflies turned to dust that covered my whole room.” Swift’s voice always sounds better when she slows down and sings in her natural key, which is what you hear on several tracks off this album, including the poetic “This Love” and the pretty, story-like “Wildest Dreams.”

Swift has admitted in several recent interviews that this album is her best yet, and possibly the most true to herself. Swift told Good Morning America, “I think you have to stay true to who you are, at the same time challenge who you are to explore all the different aspects of what you can create.” “1989” is a grown up project for Ms. Swift, she recently moved to New York [as you hear on the title track and electronic infused “Welcome To New York”] and is now a woman. Have a seat on the throne Taylor, I have a feeling you’ll be here awhile.

-Abbey 

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Evergreen is everlasting

image from: bing.com
image from: bing.com

You may have never heard of the band “Broods” but you are about to. This electro pop infused alternative band are unique in their own way. Made up of brother and sister duo Georgia and Caleb Nott, hailing from New Zealand. Georgia’s voice emulates other fantastic performers like Ellie Goulding and Lorde, while Caleb plays multiple instruments and provides back up vocals.

image from: bing.com
image from: bing.com

Their debut album “Evergreen” was recently released and it is fantastic (for lack of a better word.) Broods’ sound is infused with bass, electronic synths, and some piano chords. A darker vibe haunts the album as you hear on the title track “Evergreen”. The song talks about overcoming your fears, feeling infinite, and maybe going steady with someone?

evergreen
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Their lyrics are so genius that you wish you wrote them yourself:

-“Since we decided to be infinite, there’s no ending and there’s no fear.” (“Evergreen”)

-“It’s where my heart was made, and my feet will always land.” (“Mother & Father”)

-“I wanna make you feel how I feel when I’m listening to love songs, I wanna take you to the peak of everything that you are.” (“Four Walls”)

This album was created in five weeks…FIVE. Are you freaking kidding me? I wish I had that amount of focus and talent. To compile something so raw, powerful, and beautiful in that amount of time is mind blowing. Props to these two for really showing their work ethic.

One of the stand out tracks on the album is “Four Walls”. It’s a gorgeous and incredibly human homage to true love as Georgia’s voice sweetly sings “You’re everything I need tonight.” Piano chords and airy background harmonies tell the story of falling in love in a matter of three and a half minutes.

Maybe there’s something in the water abroad that is not on our American soil. It seems that some of the greatest talent comes from somewhere else. Well, I’m not complaining.

These siblings also have a knack for making the most visually appealing music videos. Combining compelling imagery, hipster vibes, and colorful backdrops in the most artistic way. They also show their simplistic side in the video for “Mother & Father”. The video is shot in black and white as we see Georgia dancing around to the beat wearing a classic black get up complete with bad ass 90’s chokers. The emotional impact this song has is felt through the simple video.

Broods are on a truly magnetic path to success, so go check them out!

-Abbey