Enlightened by The 1975

I always end up finding a 1975 song that I’ve never heard and I immediately fall in love. It happens every couple months or so. I become obsessed with it. I look up the lyrics. I listen to it on repeat as I do my homework. I find the meaning behind it. I let it consume me. “HNSCC” is different. Coming off the deluxe version of their debut album The 1975, this song is maddeningly beautiful. There are no lyrics, only whaling guitars and electro synths making you feel every emotion possible in the most glorious way.

image via http://blog.tiqiq.com
image via http://blog.tiqiq.com

HNSCC actually stands for head and neck squamous cell carcinoma. Patients were identified with it in 1975 (hmmmm…) The root of this increasing trend is unclear, although marijuana use and HPV infections are possible explanations. It is commonly found in young males.

In an interview back in early 2013, lead singer Matt Healey told Bang Tidy Music that HNSCC is the chemical title for head nose and throat cancer. He then explained how it was created saying, “My Nana who I was close to died of cancer this year and it was around about that time that the guitarist’s mum got diagnosed with cancer and it felt like it was a big impact, the fact that something you have no control over can really mess with the dynamics of people’s lives. It’s actually a live guitar take. I was playing the guitar plugged in the computer and George was putting it through every plugin you can imagine. He recorded it without telling me so I was in the zone. This was 2 am on a Saturday night so we were under the influence. I recorded the guitar take and we listened to it back hammered and we were like ‘this is really pretty man, nah let’s get some sleep’. We woke up the next day and we just spent like half an hour putting little moments of vocals and synth and that was that. I think ‘Music for Cars’ is the most honest record in regards to things like that.”

Healey then explained that “HNSCC” can stand for whatever you want it to stand for; “That’s what art is, I want people to make up their own things. People have said to me that they have taken something from the music and asked ‘does this mean that?’ and I said ‘no but it does to you’…If it makes you think about something, that’s the reason I [make music]. I want people to feel about our records the same way that I’ve done about other people’s music, whether it’s negative or positive, I just don’t want people to not give a fuck. Six months ago I wouldn’t have minded, but now we’ve started I really want to know what people think.”

As I read through the comments, I noticed people were doing just what Healey said. Finding their own feelings for this song and what it means to them:

-“This makes me feel like I’m in that state between consciousness and sub-consciousness; when I’m slightly aware of what is happening around me, yet I’m kind of drifting apart; like the kinda state where I’m just about to die and I’m counting my last breaths and I can feel my soul is just about to depart and I couldn’t be happier about it because that means this is an end to all my sufferings. And just before I’m about to slip off, I catch that last glance of that person who meant everything to me and that is all to what I’ve ever wanted and I couldn’t be happier.”

-“Every time I listen to this song I cry. Its something about it that’s so beautiful and deep. I feel this type of peace and serenity in this song. I think what makes it so beautiful is the simplicity, the calming sounds. It feels like you’re slowly dying, but you’re dying a peaceful death. It really makes you think about how wonderful death really is. Life is hell, but its a test. And this song makes me feel like the test is finally over. I’m far too young to think about death but honestly I like the sound of the word death. For some these thoughts I’m feeling are quite morbid or scary, but honestly death is beautiful. All your worries and fears are finally over. This is what I think this songs about. It might be different to everyone else though.”

-“it reminds me of when you’re in a coma and you have the choice to live or die. like all the memories and all your different stories are playing back in a fast motion and it stops on certain ones, and those are the memories that help you decide to stay or let go. i feel like I’m somewhere between conscious and unconscious, relaxed and stress free. Happy.”

-“when you’re in the back seat of a car, driving late at night. Very little cars around on the highway. And no one is making noise.  just the road, the car engine and you breathing.”

-“When I listen to this song. I feel like I am standing in the edge of a cliff and the wind is howling around me. Whipping my hair about and I feel terribly alone because there is no one around me and I can’t even hear my own breathing. This song sets me on an edge. An edge I quite like. This is the kind of music that brings you to a terminal closure. I know it sounds bad but in a way I feel like this is the kind of song which makes you feel okay about giving up. Like it’s okay to jump and be peaceful. I feel like this is something one might hear when he or she is ready to give up. The freedom of being able to give up completely is what I feel through this song. It’s a the soundtrack of closure and feeling renewed with the idea of not existing for mundane things. Whenever I have such thoughts, this song is the only thing I listen to. It makes me feel light. Free of burden and one with myself even though I can’t fucking hear the voices in my head.”

-“colors. that’s all i see when i hear this, memories of past friends and things i wouldn’t remember just listening to the birds. like the flashback of your life when your dying, people you loved and stories you heard. sounds, like the laughter of a friend who died before she actually lived, a train speeding past you. tastes like bitter chocolate, green tea with too much sugar, salty tears. this song has a vibe to it i can’t even explain.”

I think this is so amazing that people are feeling so many crazy things for this song. It really shows the immense power that music has over people, emotionally and mentally. I can only imagine how proud The 1975 are that they created such a gorgeous song that can touch so many people.

-Abbey

Alabama Shakes: “Gimme All Your Love”

photo courtesy of http://www.themusicpimp.com
photo courtesy of http://www.themusicpimp.com

I completely forgot Alabama Shakes existed until I saw their show stopping performance on SNL back in March. I mean, the pipes on lead singer Brittany Howard are just unlike anything. Talk about SOUL. Their sophomore album Sound & Color just came out this past week and I’ve been listening ever since. This album takes you on a trip through time using the most nostalgic muffled vocals, soulful rips, R&B croons, and a little electric guitar to cure the soul.

Here’s the SNL live performance. Don’t forget to pick your jaw up off the floor after…

“Gimme All Your Love” is an absolute stand out track off the album. Starting out slow and steady showcasing Howard’s impeccable power and vocal strength as she half screeches, “Gimme all your love!”. At the two and a half minute mark “Love” swiftly turns into something else; a fantastic musical breakdown. Blues-y guitars barge in followed by a racing drum beat then a snazzy call & response between guitars which leads to the climactic edge of the song as the rock elements truly come center stage. This group comes together musically in such a traditional and magical way. “Gimme All Your Love” will race around your head for hours after, leaving you enlightened, slightly melancholy, and begging for a voice like Howard’s.

photo courtesy of http://9rm52pnjcvdzcxx3.zippykid.netdna-cdn.com
Lead singer Brittany Howard belting every lyric. photo courtesy of http://9rm52pnjcvdzcxx3.zippykid.netdna-cdn.com

The lyrics are so simple yet so rich. “So tell me what you wanna do, you say the world, it doesn’t fit with you, why don’t you talk to me for just a little while?”. Begging for love seems to be the main idea here, but there’s more. It’s actually the power of love as you hear through the music. The up and down pattern of the music resembles the ups and downs of love and a relationship. The musical shift near the end is the center point; the overall scream, the last effort, “gimme all your love”. This song makes you want to dance on a porch in a sundress and also grab a tambourine.

The truth is…I can’t say one bad thing about this song, band, or album. I can’t wait to grab Sound & Color off the shelves and attempt to sing with Howard in my car. (My commute to work is about to be so rock n roll, baby).

-Abbey 🙂

Back in the plane with Twenty One Pilots!

photo via http://fc06.deviantart.net
Drummer Josh Dun (left) and Singer Tyler Joseph (right) photo via http://fc06.deviantart.net

I recently just realized that not many people know about the band Twenty One Pilots, and that really ticks me off. They are so freaking talented, it’s mind boggling… Made up of singer/musician Tyler Joseph and drummer Josh Dun. These two form a brotherhood in music that is truly fantastic. Pretty much any live YouTube video will prove my point!

The band recently released their latest single “Tear In My Heart” which did just that to my heart. From their upcoming album Blurryface, hitting shelves on May 19. Dun recently told ALT 98.7 the concept behind Blurryface; “It’s a character that comes from an alternate dimension that represents insecurities that we all haveit’s a theme that runs throughout the songs on the album.” He then admitted “Tear In My Heart” is the closest they’ll ever get to a love song. “Heart”, start to finish is done in true 21P fashion. It feels like its made up of several different parts and the lyrics are cool, realistic, and addicting. Joseph’s rant- filled angst-y voice makes you want to learn every single word he preaches; “The songs on the radio are okay, but my taste in music is your face…” That’s what he does, he preaches about every feeling he has ever felt. And it’s brilliant.

gif via giphy.com
gif via giphy.com

Twenty One Pilots have always been on the bridge between rock and alternative to me. They have the power of a rock band, but hold the melodies and lyrical content of an alt band. Joseph manages to borderline on rap phrasing/screamo sometimes, which further fuels the powerful aura around the band. Lyrics like, “You fell asleep in my car, I drove the whole time, but that’s okay I’ll just avoid the holes so you sleep fine, I’m driving here I sit, cursing my government, for not using my taxes to fill holes with more cement,” are so unique it’s almost comedic, (it also reminds me of my Dad when my Mom falls asleep in the car on long road trips.)

“Tear In My Heart” keeps a piano medley alive, while still holding the electronic hues that plague every good 21P song. Not only is it upbeat, but its fun, energetic, and emotional, all in one song. Joseph punchily sings, “Sometimes you gotta bleed to know, that you’re alive and have a soul, but it takes someone to come around, to show you how.” So basically, find someone who will break your heart, so you can finally learn something. As much of a downer as that sounds, the song doesn’t make you feel sad, it just makes you realize that he’s right. The moments we feel most alive are when we are broken or falling apart. There is something uplifting in the realization of life and all the lessons it offers.

Check out the music video below:

 

-Abbey

Mumford & Sons: Creating String Power

wilder mind When I heard the news about Mumford & Sons’ new album, I thought it was a lie! I had heard so many rumors that the band had broken up and they wouldn’t have music out for a while. This is the best thing to happen to my spring break! Not only are they back but their new album is coming out May 4 (another way to celebrate the summer sunshine). The new album is called Wilder Mind and is already blowing my mind.

The first single off the album was recently released and I couldn’t be more obsessed. The song, appropriately titled “Believe” highlights a broken relationship, lack of communication, and a hope for a better union between two people who love each other. Major Coldplay vibes here people… and I LOVE IT. I’m a big alt/electronic-y fan, so this song is right up my alley.

Mumford’s transition into this new world is already beautiful. The musicality and strong lyrical content surrounding this band is what helps them make this change more impeccable. Everything about “Believe” feels natural and more like a new & improved Mumford and Sons, which is something fans are going to appreciate. It’s not as if they have no classic foot stomping twinkle light choruses anymore, they have just added more layers to their songs leaving the lyrics with a more substantial musical ground to stand on.

My prediction? Every song will stand out on their own as a powerful story from start to finish. Just as “Believe” already stands on its own with soaring electric guitar and drum kit. Also, the lyrics are just as exquisite as ever; “Present all your pretty feelings, may they comfort you tonight, and I’m climbing over something, and I’m running through these walls.” The truth is, if you locked yourself in a room and listened to this song on full blast through a decent speaker system, you would say, “YES, that is the Mumford & Sons I know and love”. mumford Change is a good thing and Wilder Mind is going to be proof of that.

May needs to be here…like now….

-Abbey

How Perfect, How Precise, How Pleasing

I pictured her sitting at an antique coffee table in a white wooden table chair with green fairies painted on it, sipping on some green tea with her messy red hair trailing down her pale white cheeks as she scribbled some gloriously dramatic lyrics onto a bar napkin she stuffed in her purse after leaving dinner the night before. This is what I have envisioned Florence Welch has been doing for the past four years or so. Maybe I’m right, maybe I’m wrong…who knows?

Photo via bing.com
Photo via bing.com

Florence + the Machine announced this week that they are back!! Oh my goodness I have been waiting FOREVER for this moment. Being a huge F+TM fan myself, I am so so excited for this new album. How Big, How Blue, How Beautiful will be the third album from this eclectic bunch. They also released the music video for the first single called “What Kind of Man” and it is phenomenal. Reminiscent of “Kiss With A Fist” due to the feisty angst in Florence’s voice, but with age comes a fuller vocal range and a greater sense of musicality. Not to mention a highly artistic point of view as we see in the music video.

This video begins by showcasing a casual yet powerful conversation that takes place between a couple. The man tells the woman that she was having a nightmare and she gets angry that he didn’t wake her up, “I didn’t want to intervene. It seemed like you were suffering somewhere else. I didn’t think it was my place to drag you out of it so I just let you be,” he said. She replies with, “So you just let me suffer? So you think that people who suffer together would be more connected than people who are content?” He agrees and says, “I do.” I think this is often a question we don’t think about, but it’s interesting when you do take the time to think about it.

The song seems to about a long term relationship and the lack of commitment throughout it; “And with one kiss/ you inspired a fire of devotion/ that lasted twenty years.” But also the intoxicating element that comes with love, sparks a lot of the inspiration behind the song; “I already had a sip/ so I’d reasoned I was drunk enough to deal with it.” A theme we often hear about, but Florence makes it more dramatic when she sings the words, “What kind of man loves like this?” Almost posing the question, “How could a human being actually love like this?”

Miss Florence spreading her fairy wings so fans can soak up her glittery glow. photo via bing.com
Miss Florence spreading her fairy wings so fans can soak up her glittery glow.
photo via bing.com

I’m surprised by this electrifying intro to this new album cycle for Florence & the Machine, but I’m also not because everything this band does is never half-assed (for lack of a better phrase). The music is always top notch quality with stellar lyrics that you want tattooed on your entire being for the world to see. I hear more guitar-driven rock, a beautiful horn line, hard lyrics, and spunky tambourine on this track which transcends perfectly into where music is heading these days. The music scene seems to be going back to the basics, focusing more on the different elements of music. No more crap. How Big, How Blue, How Beautiful has to be good. It just has to. The worst part? We have to wait until June 2….

-Abbey