Ariana Grande concert!

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Over the weekend I had the pleasure of seeing Ariana Grande LIVE and it was everything I hoped it would be and more! Not to mention the best early birthday present ever! My friends and I walked into the stadium through a flock of 10-13 year olds wearing their blinking Ariana cat ears (which were $40…no thanks…hello DIY). We grabbed a pretzel, tried to wait in the merch line…then decided to skip it and head to our seats. We were in the stands but had a perfect view of the stage in its entirety. The show start to finish is a massive production. Gorgeous lights, clear sound, fantastic choreography, and incredible visuals were everywhere during The Honeymoon World Tour. It’s easy to see that everyone on this team work day in and day out to make the show perfection every single time its done.

An almost 20-song setlist provided fans with the best Ariana playlist you could imagine, even playing her Major Lazer song from The Hunger Games, “All My Love”, her older unreleased track “Pink Champagne”, and a perfected cover/mashup of “I’m Every Woman/Vogue”. She talked to the crowd a couple times reminding everyone of how cute they are and expressed how thankful she is that everyone came to see her perform. There’s no doubt Ariana Grande will go down in history as a pop diva.

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Most of the time she was strutting across the stage in her white sparkly Louboutin’s as her thick flowing hair bopped around to her every move. She kept up with the choreography while belting out every note even better than you hear it coming out of your car speakers. It’s almost as if she downplays her singing on her CD’s and then blows the roof off every venue when she performs them live. Grande makes every song sound effortless in the most angelic way. I was almost waiting for her to grow wings and fly back to the magical place she must’ve come from, because a voice like hers is truly one in a million.

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Slower more sentimental songs like, “Honeymoon Avenue”, “Tattooed Heart”, and “My Everything” showcased her voice even more, and brought serious tears to my eyes. A sweet homage to her late grandfather brought the rest of the fans to tears as his voice was heard through the stadium giving Ariana words of encouragement for the rest of her life. Grande’s show start to finish was personal in the coolest ways.

Outfit changes, chandeliers, large clouds, sparks, confetti bombs-it’s safe to say Grande literally had it all. She was the epitome of a pop princess on a world tour. The bigger the better.

The spark-tastic finale feature the Queen herself.
The spark-tastic finale feature the Queen herself.

-Abbey 🙂

Music Monday’s: 1998

1998

 Key Item: Printed shirt
Key Materials: Distressed knit-cotton blend

Shoe Situation: Simple all black shoe

A rework of alt/electro artist Chet Faker’s “1998” features the sultry-sassy Banks for a killer collab made for those late night summer drives. Heavy electronics are plaguing this song in the best way possible. Faker sings, “We used to be friends, we used to be inner circle, I don’t understand, what have I become to you.” The song reflects on people growing apart, something almost every human being can identify with. Banks swings in on the second verse making the song sound like it could easily be hers. Her echoing voice near the end of the song truly makes “1998” sound like another piece of her Goddess puzzle while Faker always keeps it real with subtle electronics and artistic lyrics.

Music Monday’s: Honeymoon

Honeymoon

Key Item: Floral embroidered button down

Key Materials: Simplistic Denim

Shoe Situation: All black low-top Converse

image via: www.directlyrics.com
image via: http://www.directlyrics.com

Lana Del Rey is back and so are her melancholy tunes. Her latest single “Honeymoon” features Rey singing in her classic nonchalant fashion as a pretty string section backs her up. A song fit for a classic old-timey soundtrack during a tender loving moment between two fancy dressed lovers. The lyrics remain enchanting and focused on love and the colors surrounding it; “Our honeymoon…say you want me too, dark blue.” She later goes on to sing, “There are violets in your eyes…there are roses in between my thighs and fire that surrounds you.” This isn’t another “Summertime Sadness” and will most likely never be played on the radio but that’s what makes it so unique. Rey manages to capture the beauty of real music using her incredible voice that soars effortlessly over every single word. Only someone truly talented could get away with creating a song like this and making it perfection, and that’s her.

-Abbey 🙂

Music Monday’s: Hurricane

I put a look together that I thought really went with the feel of the song. Dark tones with an edgy feel.

Key Item: Jersey top

Key Materials: Frayed denim

Shoe Situation: A simple black or solid color converse

Accessory Must: Leather snap-back hat

photo via: http://assets.nylon.com/

“I am Halsey. I will never be anything but honest. I write songs about sex and being sad” is what her Bio reads. Halsey has mastered the art of 90’s teen angst through pigtails, colored hair, and chokers, as seen in the music video for her single “Hurricane”. A sultry electro pop ode to young love. “I went down to a place in Bed Stuy, a little liquor on my lips, I let him climb inside my body, and held him captive in my kiss,” she sweetly sings from her alto/monotone-driven voice. Halsey harnesses a confident energy through the alt synths that lead the song into a mysterious story. You feel a sense of wanderlust as you listen closely. She talks about not belonging to anyone, she’s just a hurricane; wreaking havoc and then leaving for the next one. A haunting song with pretty pop undertones.

-Abbey 🙂

Miguel’s Wildheart

photo via http://okp-cdn.okayplayer.com
Miguel’s third studio album, Wildheart. Released 6/29.

Miguel’s Wildheart is just that; unapologetic, spontaneous, and sensual. His third studio album will be released Monday (6/29) and it has easily perched Miguel on top of the R&B ladder. Miguel’s ear for electronics, vibe-y choruses, and overly sexualized lyrics keep him relevant and always on point. R&B is revitalized through the artistic eyes of Miguel, the visionary. Wildheart is a concept album focusing on West Coast influences as you hear sprinkled on every flawless track.

Several 70’s vibes are filtered throughout this album on several songs; the sultry/dance tune “deal”,  the clap-happy “wave”, and the easy-going “nwa”. There’s no denying, electric guitar and a heavy drum beat guide almost every song into an endless good vibe. Miguel’s voice echoes every guitar strum as smooth as melted butter in cookie batter.

You say Miguel, I say…sexual. The amount of sexual innuendos are pretty much spilling through every song. Wildheart is definitely not an album to play in the van when you pick the kids up from school. “valley” is definitely one of the most explicit songs off the album; “I wanna f*** like we’re filming in the valley” just gives you an idea of what Miguel’s talking about here… A clear homage to the saucy side of California with racy lyrics to fit the cliché bill. Harmonies overlap near the end as Miguel leaves you in a trance-like state of mind. “Flesh” is another sexually charged anthem. Miguel’s falsetto takes shotgun as you ride through heavily sedated verses and low rumbling guitar. “I’m a slave to your flesh, woman put me right where I belong,” he sweetly sings in the 4 and a half minute tune.

Yowza….

The lyrics may be super racy but songs like “what’s normal anyway”, “leaves”, and “face the sun” carry more weight lyrically. “what’s normal anyway” challenges the racial boundaries that we see and hear about everyday. “I look around and I feel alone, I never feel like I belong.” A more emotional side of Miguel. A bit of 80’s synth pops into the song near the end adding more of a melancholy feel. “What’s normal anyway” quickly turns into a proclamation of self love; “don’t let them change you, just be who you are.” Miguel proves he can still write a powerful love song with the gorgeous “face the sun” featuring Lenny Kravitz on the electric guitar. “leaves” serves as another ode to California just like he promised; “sweet California, I should’ve known better, cause the leaves don’t change.” Impeccable vocals and simple lyrics flood this song with strong symbolic meaning. One of Miguel’s finest off the album.

For me, Wildheart is Miguel in his prime. He blows through everyone’s idea of R&B and creates a new age style that you can’t resist. A little bit of rock, funk, R&B, and pop thrown into a blender and you have the masterpiece that is Wildheart.

Cheers, Miguel!

Here’s his latest music video for single, “Coffee”:

-Abbey 🙂