“New Chapter, New Demi”

demi lovato

“I’m no longer serious…I’m done with the sob stories. New chapter, new life, new album, new single, this is a completely new Demi.” A cool Demi Lovato said to Ryan Seacrest recently on his radio show On Air with Ryan Seacrest .

Her new single, “Cool for the Summer” came out this past week just in time for the Fourth of July celebrations. A sultry Demi is heard on the verses and the gritty-rock Demi is heard on the chorus. “Don’t tell your mother, kiss one another, die for each other, we’re cool for the summer” are the lyrics Lovato spits out on her new rebellious track.

Seacrest quizzed Demi on her new music, including her motivation behind her new sound; “I’ve spent so long focusing on just kind of people pleasing, making everybody happy with being the best role model I can be. At the end of the day, yes I am outspoken about the things I believe in…I have all these things that make me a role model, but at the same time none of these things are really representing the bad ass that I am.” Get it girl!

Lovato and Ryan Seacrest
Lovato and Ryan Seacrest

Lovato had help from producer mastermind Max Martin in the studio. Martin is responsible for early pop hits from Britney Spears and the Backstreet Boys and newer tunes from Taylor Swift and of course…Lovato herself. “I did this song (“Cool for the Summer”) with Max Martin…the trickiest part about this song was trying to not make the song too rock so that it could still go mainstream and not make it too pop to where its not rock anymore,” said Lovato.

She also told Seacrest that her album will feature a lot more provocative lyrics and ‘new’ elements. “I have a lot of rhythmic flares in there as well…There’s nobody in the pop industry that says ‘Don’t f*** with me’. I am totally that but in pop music,” she says.

Demi has already proved her singing chops with emotional songs like “Skyscraper” and her pop chops with songs like, “Really Don’t Care”, so now is her time to take risks and get a little saltier. She tells Seacrest, “There’s a side of me that people don’t get to see with my past music, but it’s been there. Just because I’m sober doesn’t mean that I’m judging anybody else for their stuff and it also doesn’t mean that I didn’t have a damn good time back then either.”

Although there’s no name for the album yet Lovato says, “I do love naming my albums after songs. It’ll (the title) come to me when it’s ready, just like the music.”

Could Demi’s next album be titled Cool for the Summer??

-Abbey 🙂

Music Monday’s: Hurricane

I put a look together that I thought really went with the feel of the song. Dark tones with an edgy feel.

Key Item: Jersey top

Key Materials: Frayed denim

Shoe Situation: A simple black or solid color converse

Accessory Must: Leather snap-back hat

photo via: http://assets.nylon.com/

“I am Halsey. I will never be anything but honest. I write songs about sex and being sad” is what her Bio reads. Halsey has mastered the art of 90’s teen angst through pigtails, colored hair, and chokers, as seen in the music video for her single “Hurricane”. A sultry electro pop ode to young love. “I went down to a place in Bed Stuy, a little liquor on my lips, I let him climb inside my body, and held him captive in my kiss,” she sweetly sings from her alto/monotone-driven voice. Halsey harnesses a confident energy through the alt synths that lead the song into a mysterious story. You feel a sense of wanderlust as you listen closely. She talks about not belonging to anyone, she’s just a hurricane; wreaking havoc and then leaving for the next one. A haunting song with pretty pop undertones.

-Abbey 🙂

Miguel’s Wildheart

photo via http://okp-cdn.okayplayer.com
Miguel’s third studio album, Wildheart. Released 6/29.

Miguel’s Wildheart is just that; unapologetic, spontaneous, and sensual. His third studio album will be released Monday (6/29) and it has easily perched Miguel on top of the R&B ladder. Miguel’s ear for electronics, vibe-y choruses, and overly sexualized lyrics keep him relevant and always on point. R&B is revitalized through the artistic eyes of Miguel, the visionary. Wildheart is a concept album focusing on West Coast influences as you hear sprinkled on every flawless track.

Several 70’s vibes are filtered throughout this album on several songs; the sultry/dance tune “deal”,  the clap-happy “wave”, and the easy-going “nwa”. There’s no denying, electric guitar and a heavy drum beat guide almost every song into an endless good vibe. Miguel’s voice echoes every guitar strum as smooth as melted butter in cookie batter.

You say Miguel, I say…sexual. The amount of sexual innuendos are pretty much spilling through every song. Wildheart is definitely not an album to play in the van when you pick the kids up from school. “valley” is definitely one of the most explicit songs off the album; “I wanna f*** like we’re filming in the valley” just gives you an idea of what Miguel’s talking about here… A clear homage to the saucy side of California with racy lyrics to fit the cliché bill. Harmonies overlap near the end as Miguel leaves you in a trance-like state of mind. “Flesh” is another sexually charged anthem. Miguel’s falsetto takes shotgun as you ride through heavily sedated verses and low rumbling guitar. “I’m a slave to your flesh, woman put me right where I belong,” he sweetly sings in the 4 and a half minute tune.

Yowza….

The lyrics may be super racy but songs like “what’s normal anyway”, “leaves”, and “face the sun” carry more weight lyrically. “what’s normal anyway” challenges the racial boundaries that we see and hear about everyday. “I look around and I feel alone, I never feel like I belong.” A more emotional side of Miguel. A bit of 80’s synth pops into the song near the end adding more of a melancholy feel. “What’s normal anyway” quickly turns into a proclamation of self love; “don’t let them change you, just be who you are.” Miguel proves he can still write a powerful love song with the gorgeous “face the sun” featuring Lenny Kravitz on the electric guitar. “leaves” serves as another ode to California just like he promised; “sweet California, I should’ve known better, cause the leaves don’t change.” Impeccable vocals and simple lyrics flood this song with strong symbolic meaning. One of Miguel’s finest off the album.

For me, Wildheart is Miguel in his prime. He blows through everyone’s idea of R&B and creates a new age style that you can’t resist. A little bit of rock, funk, R&B, and pop thrown into a blender and you have the masterpiece that is Wildheart.

Cheers, Miguel!

Here’s his latest music video for single, “Coffee”:

-Abbey 🙂

Music Monday’s: Nightmare

Nightmare

Key Item: A graphic t-shrt

Key Materials: Destroyed Denim

Shoe Situation: Classic sneaker, ex. adidas Superstars

Accessory Must: Oversized sunglasses

http://www.billboard.com/

Miley Cyrus’ new leaked song could be giving fans a glimpse into what we can expect from her Bangers follow-up… With Cyrus being so heavily portrayed as a crazy lady in the media, “Nightmare” does nothing to prove that. She goes back to her electronic/pop sounds with a fiery chorus and clap-happy verses; “I woke up in another life, where nothing’s really dangerous, and everything is black and white…” A song with simple lyrics most people can relate to. When Cyrus does decide to release this song, it will surely climb the music charts in no time. I prefer this style of electronic/pop on Miley Cyrus, it suits her well and she knows how to make it work. Bangers was an epic form of artistic expression and I’m positive her next album will live up to the hype.

-Abbey 🙂

Spotlight On: The Weeknd

photo via http://static.idolator.com
photo via http://static.idolator.com

Sultry crooner, The Weeknd recently released two new songs off his upcoming album Chapter |||; “The Hills” and “Can’t Feel My Face”. Both give fans the two things they love most about The Weeknd; that sexy falsetto and a crazy good vibe. I haven’t always been a fan of The Weeknd, some of his earlier songs are a little too racy for my liking, but this new batch of music could be changing my mind. The music is less vulgar (AKA- radio ready) and more in tune with what’s poppin’ in the music scene as of lately.

“The Hills” is a moody/darker tune, touching on a sexual relationship; “I only call you when it’s half-past, five, the only time I’d ever call you mine.” Abel’s voice drags nonchalantly through the verses as the story progresses. The chorus is sinister-like with heavy bass while Abel’s voice takes front and center. His infamous muffled vocals add a haunting element to the song, especially near the end as he sweetly sings “the hills have eyes, the hills have eyes, who are you to judge?”. “The Hills” is a slow-going song, something only certain people could enjoy listening to. Late night cruises with friends is what this is meant for.

On the other hand, “Can’t Feel My Face” is a straight up pop tune. My first thoughts while listening to this song…MICHAEL JACKSON. Abel’s voice on the verses is so so insanely similar to MJ, it’s incredible. His punchy word annunciations add to the immediate dance groove of the song. The backup vocals near the end are something you would hear off a funky greatest hits album. This is pop with a twist of modern R&B, sung by a man who is capable of harnessing so many different energies just with the wavering tone of his voice. There’s no doubt, The Weeknd, is a truly unique artist who spends time creating his music, which is essentially his art.

Safe to say, this next chapter will be glorious to listen to.

-Abbey