COLDPLAY IS BACK!

It’s easy for me to say Coldplay is hands down the most consistent band I’ve ever witnessed. Not only do they stay true to themselves, but they manage to keep innovating their sound as music and society changes. Since I’m a massive Coldplay fan, I guess I’m a little biased but I can’t get over how timeless their discography is. Not one miss exists in their repertoire and that’s not something a lot of bands can say (yes, I love the Ghost Stories album and found it incredibly poignant in the best way possible).

Recently, the band announced a new album, Everyday Life, out November 22nd. With this news came a couple of new tracks titled, “Orphans”, “Arabesque” and later on, “Everyday Life”.

Chris Martin 2019
Image via nme.com

In a recent interview, the Coldplay frontman Chris Martin explained the inspiration behind the bouncy track “Orphans“, saying, “We’d been thinking so much about all these kids in refugee camps who are just like us…And really they’re human people just like everyone else, and we were thinking about particularly the young people who’ve been displaced, who just want to go home and be normal just like everybody else.” The lyrics convey the message quite clearly as Martin joyously sings, “I want to know when I can go, Back and get drunk with my friends, I want to know when I can go, Back and be young again.” The single features Coldplay’s classic repetitive guitar riffs and a chant-like chorus to top it all off – reminiscent of any track off of their 2015 album A Head Full Of Dreams.

 New single “Arabesque” sounds similar to a Viva La Vida track, specifically “Violet Hill”. Horns and a punchy drum highlight the marching undertones of the track. While “Everyday Life” couldn’t be more beautiful if it tried. Echoing Coldplay’s never ending themes of unity and love, the song discusses how we as humans are all the same in so many ways. Martin sings, “everyone hurts, everyone cries, everyone tells eachother all kinds of lies, everyone falls, everybody dreams and doubts.” A piano melody keeps the song in a pretty mellow state – another Coldplay speciality. This song strikes a nostalgic chord for me. It feels like old school Coldplay but still new and relevant. I can’t wait to hear the rest of the album.


Coldplay’s “A Head Full of Dreams”

(Image via billboard.com)

Somehow, Coldplay has managed to continue their successful musical reign for a long and hard 20 years in the industry. Not many bands can say the same.

A Head Full of Dreams begins with a recorded conversation between director Mat Whitecross and Coldplay frontman, Chris Martin. Whitecross asks if Martin has seen the film yet and he responds with, “I trust you. You make the movie you want to make about us.” That right there is a testament to who Chris Martin is at his core; an artist who understands art more than anything else in the world. He feels too much and might be a workaholic, but in the end, it’s rewarding enough to say it was all worth it. When you’re standing on a stage in a stadium full of millions of people singing your diary back at you, it’s worth it.

Fans are swiftly whirled back to the humble beginnings. Videos and photos of all four band members with greasy hair, braces, and maybe a little bit of the freshman 15 grace the screen as we start to see the formation of Coldplay. All these guys had one thing in common; music was their passion. It was clear from the start that Martin would be the engineer behind the machine, as we saw through intense meetings, long studio sessions, and exuberant on-stage performances. But, there’s no doubt each member found their footing in a band that would soon become an international phenomenon.

Whitecross dug into the backstory of several songs/albums and all the bumps along the way. He says, “For me, it’s a story about love and friendship.” We see Beyoncé singing her part in the joyous “Hymn For The Weekend” in Chris’ son’s bedroom which he made into a makeshift studio for the day. Martin is also shown banging out the first couple chords of the timeless and heartbreaking “Fix You” and “The Scientist”. Not only did we see hit songs come to life, but also the impact they had on the band going forward. I might be biased in saying this, but to me, Coldplay has never made a bad album. Different? Yes. Experimental? Absolutely. But bad? Nope. Not a chance. While discussing the A Head Full of Dreams tour, Martin says he doesn’t care if people call the album “hippie nonsense”, to him it’s an important record that combined all of their favorite things (his kids, ex-wife, and other admirable artists appear on the album). Pride in his work is something Martin took a long time to achieve.

Through the acoustic and simple Parachutes, the experimental Viva La Vida, the emotional Ghost Stories, the uplifting and hopeful A Head Full of Dreams, and so many other albums, fans truly see the evolution of a band growing older and even more talented and in love with their craft.

Martin always says “this album could be our last” but it never really is. They don’t know when the end will come, but maybe it’s better that way.  


Coldplay’s “Hypnotised”

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Image via nme.com

After their Chainsmokers collab hit the web, Coldplay has been a hot topic on everyone’s minds. The band just announced their new EP coming June 2, titled Kaleidoscope EP. With just five songs (including the EDM-assisted “Something Just Like This”) the band never ceases to stop creating.

Tracklist:

1. All I Can Think About Is You
2. Something Just Like This
3. Miracles 2
4. A L I E N S
5. Hypnotised

Leader of the pack, Chris Martin, gave fans a tease into what we can expect from this short collection. “Hypnotised” is the first track we hear. Piano notes twinkle throughout the over five minute track bringing that special je ne said quo to life. Martin’s voice is low-key, reminiscient of their early days with songs like, “Sparks” and “In My Place.”

“Hypnotised” is a rebirth of some sort. Finding refuge in someone who resembles love; “Now I’m hyp, hypnotised, yeah I trip, when I look in your eyes, oh I’m hyp, hypnotized, yeah I slip and I’m mesmerized.” The lyrics could serve as a life bible, showing the inevitability of disorder in our society. Martin softly sings, “It’s easy to be lethalI’m learning from the news, it’s a guidebook for the blues.” 

The lyric video is major eye candy. Watch it here.


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Fresh EDM Picks

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Image via beatport.com

“Something Just Like This” – The Chainsmokers & Coldplay

Just when you thought they couldn’t get any better. Party boys turned world-wide sensation release a stellar collab with one of music’s greatest bands alive. The formula is simple; transparent lyrics, soaring vocals, and a drop you can bop to. That’s it. “Like This” will easily climb the charts making the Chainsmokers one of the best EDM duo’s of all time.

 

“Stay (with Alessia Cara)” – Zedd

Cara’s vocals are easily some of the most unique in pop music today. Add in Zedd’s gift for mixing and the result is epic. Just as catchy as any Zedd song is, a female lead always tugs you in (“Clarity”, “Stay the Night”). Cara strongly sings, “All you have to do is stay, a minute, just take your time.” 

 

“In The Arms Of A Stranger (Grey Remix)” – Mike Posner

His child-like voice follows a guitar strumming repeated chords as a subtle drop highlights the “woo”-filled chorus. The song is a beautiful sentiment bringing to light the memories of past love and the attempts to move on; “In the arms of a stranger, pretending its love, holding her closely, remember your touch.”

 

“It Ain’t Me (with Selena Gomez)” – Kygo

Kygo can do no wrong. It’s a fact. He has the tropical beats we all want playing on our spring breaks and summer vacations. “It Ain’t Me” is no different. Gomez sings the verses up and down in classic pop fashion. Choppy lyrics pluck through the chorus, something Kygo does best (listen to “Stay” off his debut album, Cloud Nine.)

 

“Slide” – Calvin Harris, Frank Ocean, and Migos

70’s dance party meets summer pop; Harris is back in full force. Merging some R&B licks from Frank Ocean with light rap verses from Migos, the two blend together seamlessly. A steady vintage beat keeps the song flowing, making you wish for a dance floor under your feet and a glass of champagne in your hands.

 


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