Halsey’s New World

Halsey sits down with radio personality Zane Lowe in a large church. As she gives insight into her new album, Hopeless Fountain Kingdom (due June 2) her voice picks up speed. The excitement of a new chapter brings her into an artistic space not many people can possess. She describes the album as a “hyperbolized smash cut fantasy Halsey cinematic universe.” (Say that ten times fast…)

halsey
Image via nme.com

The New Jersey native is back to sporting her short hair-do and remains a confident force in the process. She says to Lowe, “I think I’m done explaining things though, which I feel like I really had to do in the beginning.” Being a pop star is hard, but being a female pop star in 2017 is even harder. In a society where sex sells and Instagram buys fame, how can a woman be appreciated for her art and not her sex appeal? She sheds light on the music industry by reminding us that we live in a “single” heavy world. One hit track is all you need to be #1. It’s become harder and harder for people to consume a concept album (like what she’s created with HFK).

She cites Romeo and Juliet as a huge inspiration for the album with a nod to genius writer/director Baz Luhrmann (“The Great Gatsby”, “Australia”, “Romeo & Juliet”). Instead of feeling connected to the female protagonist, Halsey feels more connected to Romeo. “I have human relationships like songs,” she continues to say, “I think chasing a formula is authentic.” Diving further into the album, she mentions the three genres that make up the 16-song tracklist: urban, pop, and electronic.

Tapping into the feminine themes on the album, she discusses the inspiration behind “Strangers”, her song with Lauren Jauregui from Fifth Harmony, saying she wanted it to be as if Pat Benatar and Stevie Nicks wrote a love song together. A duet between two females is something lacking in the pop radio world – Halsey plans to change that. Since both women are openly bisexual, she wants to highlight that love songs aren’t just for women and men.

Her second single off the album titled, “Eyes Closed” is reminiscent of a beat you would hear on a Weeknd track. In fact, Halsey said The Weeknd was in the studio doing ad libs to this beat and she immediately felt inspired to write a poem around it. She sings, “Now if I keep my eyes closed, he looks just like you.” It was an unfinished melody with no words that she has now made her own. Often being referred to as the female version of The Weeknd, dark pop is something that seems to be growing in popularity (The Weeknd, Lana Del Rey, now Halsey). Most female musicians take on the usual pop route. Halsey seems to have a healthy balance of everything she needs to succeed, on and off the radio.

As a pioneer in music, Halsey has taken it upon herself to restore art into music while keeping a relevant sound and style. Something other female musicians can learn from.


 

 

 

 

 

 

 

 

 

 

 

Queen Lorde

 

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Image via theconcordian.com

“I’m waiting for it, that green light, I want it” marks Lorde’s return to pop radio. Spreading her anthemic breakup tune, “Green Light” accompanied by a joyous music video starring herself swirling through a city at night in a tight pink dress feeling a multitude of emotions.

Piano is the biggest element in this song. Starting as a ballad, the message quickly spreads into something more uplifting. The pre-chorus holds a silver lining element; “But I hear sounds in my mind, brand new sounds in my mind.” Clearly about a breakup, Lorde says, “The song is really about those moments kind of immediately after your life changes and about all the silly little things that you gravitate towards.” The singer manages to keep a low profile concerning her personal life but made “Green Light” something that millions will understand. She imagines a drunk girl embodying this song, saying, “This is that drunk girl at the party dancing around crying about her ex-boyfriend who everyone thinks is a mess. That’s her tonight and tomorrow she starts to rebuild.”

Her most recent single takes on a more somber tone. “Liability” is an ode to self-love as the inevitability of life can sometimes be overwhelming. In her case, being a superstar can scare people away; “The truth is I am a toy, that people enjoy, til all of the tricks don’t work anymore, and then they are bored of me.” She explains the love she has for herself and how she tries to please herself as best she can, referring to herself as a “forest fire.” Only backed by a subtle piano, Lorde’s voice wavers on an array of notes making you feel like you’re going up and down a never ending staircase. Piggy-backing off the breakup essence of “Green Light,” rebirth, will be an obvious theme on the upcoming album.

Watch a live performance of “Liability” on Saturday Night Live this past weekend, here.

Lorde’s album, Melodrama will be available June 16


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Who You Need: Bridgit Mendler

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Image via pcwallart.com

WHO: Bridgit Mendler

WHERE: Washington, D.C.

GENRE: Pop/R&B

SONGS: “Atlantis”, “Ready or Not”

 

 

Demi Lovato, Nick Jonas, Miley Cyrus. All Disney-bred pop stars. There’s no denying that each one is talented in their own right. Could Disney be the best talent agency ever?

Enter Bridgit Mendler, former actress on the hit Disney show “Good Luck Charlie,” where she also sang the title song. 2012 sparked her debut album Hello My Name Is… , flooded with the usual pop noise. But 2016 brought something different from Ms. Mendler. A little more musical production, a slight genre change, and more vocal focus has proven this Disney bopper is more than just another laughable pop toy…

Her popular single, “Atlantis” off her 2016 EP titled, Nemesis comes to mind when I think of expanded musical production. Muffled/distorted vocals and R&B back beats spice things up. A rap cameo chimes in on the tail end of the track racking in more of a hip-hop sound that fits her like a glove.

On “Temperamental Love” we hear a similar sound from the pop singer. Rapper, Devontee kicks this one off spitting out the struggles of modern-day dating,”Girl, you ain’t the only one that’s all alone, Hell, I’m only seeing you on the phone, what’s a FaceTime? I need face-to-face time.” The high-pitched chorus praises that love anyways as Mendler sings, “Temperamental love taking over me, all the lows shake my bones every time you leave, but I can’t escape the thought of you, boy.” The naivety in her voice contrasts with the mature beat and lyrics making the song a pleasant pop surprise.

Mendler wrote the lyrics for Love and also produced the song. Showing off her various skills, fans can expect more heat from the singer coming soon.


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Friday Feelz: “Don’t Kill My Vibe” – Sigrid

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Image via nme.com

Snuggled right in the #2 slot on the New Music Friday Spotify playlist is new artist Sigrid. Who’s above her? Pop princess Katy Perry. Not a bad spot to be this Friday. The single artwork has a vibrant red background that contrasts with the crisp white tee the songstress is wearing that reads, “Don’t Kill My Vibe.” Of course, the title of her debut single. With her head cocked to one side as her dark hair falls close to each side of her face, she looks straight into the camera begging you to question how bad ass she really is.

“You think you’re so important to me, don’t you? Well I wanted you to know, that you don’t belong here,” she spits out in an high energy belt. “Vibe” will soon become your favorite break up song preaching about how strong and independent one can be on their own. While this easily pokes at the simple notes of pop music, the beat somehow makes it feel more new age/ alternative. The Norwegian born singer has a robust vocal range and an aura around her sound that feels happy, light, and cool. You wait for what feels like a beat drop (as we often hear infused in every pop song these days), but instead we hear a glorious chorus that dazzles every hair on your skin.

After about 30 seconds into this song, I knew it was pure magic. A good voice is a good voice. You know it when you hear it. This is just Chapter one for Sigrid.


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Friday Feelz: “Make Daddy Proud” – Blackbear

 

Image via Instagram.com/iamblackbear

Through a haze of crooked finger peace signs, crisp white shoes, and squinty stoned eyes, Blackbear promotes himself; on Snapchat, Instagram, Twitter, and he does it well. Remaining unsigned to any record label, he has no strings attached to anyone but himself. He releases his songs on Soundcloud before they even hit Spotify or iTunes. Fans go nuts and practically beg him to let them buy it. That’s how you know you’re onto something special.

 

After recently announcing his musical collaboration with Mike Posner titled, “Mansionz”, Blackbear ( born Matthew Tyler Musto) is back with a brand new solo single and plans for an album release on,  you guessed it, 4/20.

The song, “Make Daddy Proud” appeared on Soundcloud Monday night, making fans squeal with joy at the sounds of some new Bear. “Proud” lets electronic tid-bits take the front seat as we’ve heard on his previous tracks like 2016’s”Wanderlust” and “Flirt Right Back.” Mixing hip-hop beats with electronic synths and chords seem to be his niche making him an easy crossover into the pop genre. A surprisingly charming falsetto sings, “Tell me how do you cope with it? how do you sleep with yourself at night?” The money-littered chorus praises a woman for spending Daddy’s money. His lyrics preach a subtle mix of encouragement and sexism, but the beat is too dominant to ignore.

As usual, along with the new release, came corresponding merch; orange hats (matching what seems to be the artwork for his new album) that read, “Let’s Make Daddy Proud Again.” I’m sure they’ll sell out more than coffee on Monday morning. The Pennsylvania native has a brand and sure knows how to sell it. Fans in the Beartrap support him every step of the way, selling out shows, merch, and his music.


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