New Music Friday

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Paramore: After Laughter Tour

Paramore: After Laughter Tour

(Image via musicfeeds.com.au) 

Paramore’s main source of light is Hayley Williams. She twirls around the stage wearing red boyshort underwear and a large baggy t-shirt. Like she just rolled out of bed in the middle of the night to tiptoe to the kitchen and get some cereal. The Tennessee native looks far from 29, but she’s definitely lived.

If there’s one thing fans have learned on the After Laughter tour, it’s that Paramore is indeed still a band. Original member, Zac Farro is back and better than ever after several years away. The group vibed off eachother on old and new tracks in ways we haven’t seen before. Every sound/instrument had a human behind it, bopping their head, and tapping a foot or two. While the stage is large, the band seemed to be positioned close together while they smile and jam with eachother through every song. The genuine feeling of camaraderie is heartwarming.

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After Laughter sparked a pop-art inspired tour; something that now fits the band effortlessly. Hayley gives a mini-speech on how great it feels to be back and playing in large venues again. She says, “Let’s have some fun. We’re Paramore!” 

Within the first five songs, they’ve covered hits like, “Still Into You”, “That’s What You Get”, and even 2007’s epic “Crush Crush Crush”. Hayley nonchalantly steals the show while headbanging, dancing, and screaming on stage. Guitarist, Taylor York remains in his element stage left, head down, shredding on the guitar for a solid two hours. Zac Farro seems calm, cool, and collected on the drums, banging away like his life depends on it.

Newer tracks like, “Rose-Colored Boy,” “Forgiveness,” and “Caught In the Middle” brought a retro 80’s feel to the night. Mirrored screens lined the top of the stage in a “Saved by the Bell” blocky neon fashion. Over halfway through the set, they stopped for a quick acoustic session. Hayley gave a fitting intro, saying, “Some soft songs for your soft hearts.” They went on to play a cover of Drake’s “Passionfruit”, then melted fans’ hearts with 2009’s “Misguided Ghosts” and After Laughter’s emotional tribute to never losing hope, “26”.

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Before the end of the show, Hayley handed over the reigns to Zac Farro. We had the chance to hear his side band called HalfNoise. Hayley picked up backing vocals, hit a tambourine, and some drums, bouncing around like his biggest (or smallest?) cheerleader. HalfNoise’s “All That Love Is” fit right in with Paramore’s already frenetic theme.

The major finale? A wildly fun performance of the song that kicked off their latest era; “Hard Times”. Hayley forcefully sings, “All I want is a hole in the ground, you can tell me when it’s alright, for me to come out?” Oh, honey, it’s okay, come on out. We love you.

To catch Paramore on the After Laughter Tour, click here!


Who You Need: HONNE

Who You Need: HONNE

(image via nylon.com)

WHO: HONNE

WHERE: Bow, London

GENRE: Alternative/Pop

TOP SONGS: “Someone That Loves You” and “Warm On A Cold Night”

James and Andy of HONNE (which is the Japanese concept meaning “true feelings” and one’s “intimate self”) have been dropping new singles almost every week. All in preparation for their new album, Love Me/Love Me Not coming August 24th.

Mixing elevated verses and storyteller lyrics, these two have an alternative sound that will surely be the soundtrack to your summer.  One of their most recent singles, “Location Unknown” unveils the struggles of a long distance relationship alongside romantic lyrics; “I just need to know that you’re safe, given that I’m miles away, on the first flight, back to your side.” Electro-pop singer Georgia also lends her vocals on this one.

Releasing six singles so far, each portrays a different story featuring various genre blending elements. The London natives admit to being influenced by soul masters like Al Green and Bill Withers. Tracks like the low key, “Day 1” and funky “Me & You” feature slight soul elements that fuse into their already established “feel good” sound.

The duo explained the inspiration behind the pairs of new songs to Clash Music saying, “Those two sides have been rooted in us from the beginning, but now is the first time we’ve truly demonstrated it. One doesn’t exist without the other, and so this time these songs have to be there together. A lot of films and TV shows either explore the good or bad, but we wanted to show a balance and the grey space.”

Stay tuned for more new music to come…

To see HONNE live, click here!


 

 

 

 

 

 

Man Crush Monday: Post Malone

(Image via nme.com)

The 22-year-olds sophomore album titled, beerbongs & bentleys is jam-packed with an 18-song tracklist. Featuring a couple we already know the words to; “Candy Paint” and “rockstar”. Post Malone makes a rap album that almost doesn’t feel like rap at all.

Malone carries his own weight on this album; although he has some stellar features (Nicki Minaj, G-Eazy, YG, Ty Dolla $ign…) Songs like, “Rich & Sad”, “Psycho,” “Zack and Codeine,” and “Better Now” have that addicting Post Malone sound. Some beats are pop, while others are harsh hip-hop.

He’s unlike other rappers, as we hear on the acoustic ballad, “Stay”; which seems to already be a fan favorite. Malone’s wavering voice glides alongside a smooth acoustic guitar. He sings about the struggle to maintain a relationship; “Tell me that it’s all okay, I’ve been waitin’ on this all damn day, call me in the mornin’, tell me how last night went, I’m here, but don’t count on me to stay.” Never have I been able to listen to a rapper sing an acoustic ballad like this and still like it.

This album has been in the works for a couple years now. Malone tweeted in late 2016: “beerbongs and bentleys isn’t a song…. It’s a whole project. also a lifestyle and it’s coming.” Time definitely did this project justice. Full hip-hop albums are hard to love in their entirety, but Post Malone has managed to make each song stand on its own full of bubbly choruses and insanely cyclical beats.

According to forbes.com, beerbongs & bentleys already destroyed the record for the most streams of songs on an album in the U.S. All 18 songs were played 48 million times in just the United States.

 

To see Post Malone live, click here!